Saturday, November 21, 2009

Recomendadtions from a Week of Screen Staring




November is a month of visions. A few hours of light in the middle of the day frames a time of shadows moving across the eye. From its corners spring shapes and figures. Rain washed streets glaze figures wrapped in woolens and the hoods of hurrying home. Dead leaves pad out footsteps. Doors are more rarely knocked upon. Inside is favored with journeys out postponed or forgotten between cups of tea and screens of work or cinematic distractions. Winter touches the edge of the cloak of night as daylight retreats to a small cave in the mountains. We dream.

In this time of murky days and long nights I take my time with words, films, games and sound.

The Psychedelic Review Archives 1963-1971

Writers who explored the potentials of consciousness exploration in the psychedlic era included Alan Watts, Timothy Leary, Ralph Metzner, and Ram Dass among others; an important journal of the time was The Psychedelic Review

Bill Plummer - 1967 - Bill Plummer and the Cosmic Brotherhood
This album manages to fuse jazz, Indian music, and wacky psychedelia, while still ending up as more than the sum of its parts. You need to become part of the Cosmic Brotherhood as soon as possible.

Copy Me (in Swedish)
The collected texts from the Swedish Pirate Bureau. Digitization of Culture and information has developed into one of today's major points of contention. With a computer, anyone can copy information for free, which has made the monopolists desperate. Their bitter rejection of all that digital culture is called has created a black and white and dull debate.
The analog media has been filled with those that try to respond to the alien digital world in the most odd ways. Newspapers have been reporting from the press perspective. The book you hold in your hand is composed of texts analogized from the digital culture.
Perspectives that emerges is both the hacker, artist, philosopher and the ordinary interchange's. Copy Me offers cut copy discussion myths, but also vision and practical example of a culture that has long since left the copyright era behind them. From Public Enemy to Friedrich Hayek, a video game history to Michel Foucault, from computer to pharmaceutical plants. For the first time in book form in Swedish and presented here are a collection of texts on one of our century's most burning topics: copying.

zSHARE - jesse bernstein - selected works.pdf

This is a chapbook ebook that contains some (all?) of one of Jesse's earliest chapbooks, "Choking on Sixth". Major props to Jesse fan Jeremiah for putting this together. Thanks, man!

ABC of Relativity: Understanding Einstein By Bertrand Russell
Narrated by Sir Derek Jacobi - Runtime: 3hrs, 20mins
Series of mp3 audio files of Bertrand Russell (1872-1970) explaining the velocity of light, clock time and space time, Einstein's Theory of Gravitation, and What Is Matter?.

Ask a dozen people to name a genius and the odds are that 'Einstein' will spring to their lips. Ask them the meaning of 'relativity' and few of them will be able to tell you what it is. The basic principles of relativity have not changed since Bertrand Russell first published his lucid guide for the general reader. The ABC of Relativity is Bertrand Russell's most brilliant work of scientific popularisation. With marvellous lucidity he steers the reader who has no knowledge of maths or physics through the subtleties of Einstein's thinking. In easy, assimilable steps, he explains the theories of special and general relativity and describes their practical application to, amongst much else, discoveries about gravitation and the invention of the hydrogen bomb.



UbuWeb Sound - Hanatarash
Hanatarashi (ハナタラシ), meaning "sniveler" or "snot-nosed" in Japanese, was a noise band created by later Boredoms frontman Yamantaka Eye and featured Zeni Geva guitarist Mitsuru Tabata. The outfit was formed in Osaka, Japan in 1984 after Eye and Tabata met as stage hands at an Einstürzende Neubauten show. After the release of the first album, the "I" was dropped and the name became Hanatarash.

Jennifer Government: NationStates
A close friend said to me this week, "games teach you to see things." Very profound and true. NationStates is a free nation simulation game. Build a nation and run it according to your own warped political ideals. Create a Utopian paradise for society's less fortunate or a totalitarian corporate police state. Care for your people or deliberately oppress them. Join the World Assembly or remain a rogue state. It's up to you.

Aquarium Drunkard: Music Blog » Bonnie ‘Prince’ Billy :: Death To Everyone (Live)

Having just spent a coule of weeks listening to Billy and remembering the brittle joy I felt when I first found the pit that is his music, I was made even more sardonic by this tune. Markedly different from the stark I See A Darkness version, MBV just debuted this live rendering of Bonnie ‘Prince’ Billy’s “Death To Everyone,” a track that while culled from the same session will not be available on the forthcoming BPB live album Funtown Comedown. Recorded with the Picket Line; out 12/15 via Sea Note/Drag City.


Plutchik's Wheel of Emotions in 2D and 3D models.


Question Mark Question Mark Question Mark
I listened to the recording on my drive back to LA that night. It was indescribably weird. The dedication to the floppy disk case, chicken scratch message, and treasure map implied that someone with way too much time on his or her hands crafted it. The insanity of the recording -- with one or two kind of pretty moments -- mirrored the obsessively constructed feel of the package. I didn't know if I was listening to the work of a mad genius or a deranged psychopath. The sounds are a combination of heavily processed human voices and schizophrenic space music. The 11 tracks are very short, with only four "tunes" lasting longer than three minutes. Most are in the thirty-second to two-minute range in length. I wouldn't call it "rock," but it's guitar-centric. I also wouldn't say that it is very good, but it made for an interesting listen.

Reality Is An Accident, a playlist by RIAA, on Fairtilizer

Audio surrealism, ranging from funky to funny to weird to WTF? I’ll be adding tracks as I go along.


Dave Allen on Religion

May your god go with you....

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Friday, November 20, 2009

Wave of Action


The University of California is occupied. It is occupied as is the Academy of Fine Arts in Vienna, and the Technical Institute of Graz; as were the New School, Faculty of Humanities in Zagreb and the Athens Polytechnic. These are not the first; they will not be the last. Neither is this a student movement; echoing the factory occupations of Argentina and Chicago, immigrant workers occupy forty buildings in Paris, including the Centre Pompidou. There is still life inside capital’s museum.
no capital projects but the end of capital






Yes, the university is a graveyard, but it is also a factory: a factory of meaning which produces civic life and at the same time produces social death. A factory which produces the illusion that meaning and reality can be separated; which everywhere reproduces the empty reactionary behavior of students based on the values of life (identity), liberty (electoral politics), and happiness (private property). Everywhere the same whimsical ideas of the future. Everywhere democracy. Everywhere discourse to shape our desires and distress in a way acceptable to the electoral state, discourse designed to make our very moments here together into a set of legible and fruitless demands. The Necrosocial by Giorgio Agamben



Academy of Fine Arts in Vienna is Occupied.


Life is not for Sale!
Education is not for Sale!
Palaces for everyone!
“Resistance to the education cutbacks is part of the fight against capitalism!
Luxury for all, instead of profits for the few!” Occupiers of the Academy of Fine Arts, Vienna



Vienna Calling

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Wednesday, November 18, 2009

Music for Wednesday



MusicPlaylistRingtones
Create a MySpace Music Playlist at MixPod.com

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Tuesday, November 17, 2009

Brody Condon: Twentyfivefold Manifestation


"The work of art of the future will be the construction of a passionate life." Raoul Vaneigem


Combining the fantasy Live Action Role-Playing (LARP) subculture, public sculpture, and ritualistic performance art, Twentyfivefold was a series of physically and psychologically intense live games involving 80 players which evolved over the Summer of 2008. The events were organized by the artist Brody Condon for the Sonsbeek International public sculpture exhibition in the Netherlands.

Set in a distant future where civilization as we know it had almost been lost, players from different worlds met deep in the holy forest and inhabited a 40 feet high tower "in character" for 3 days at a time while worshiping invented deities embodied by the other artworks of the exhibition.


www.sonsbeeklive.org


"Copyright law is broken. Creative consumption and modification of existing media is a totally intuitive and appropriate way to function as a cultural producer. That is not to say I function without any honor system whatsoever, I give credit where it is deserved..." Brody Condon, Rhizome interview

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Friday, November 13, 2009

But Cosy Poetry for a Glum Friday





The Sad Bag Cassette (1990) Steven "Jesse" Bernstein

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Wednesday, November 11, 2009

The Late Age of Print, Ted Striphas




Striphas investigates the everydayness of books that he claims is intimately bound with: "a changed and changing mode of production; new technological products and processes; shifts in law and jurisprudence; the proliferation of culture and the rise of cultural politics; and a host of sociological transformations" (5). His main argument is that books had been integral to the making of modern consumer culture in the 20th century, as they were one of the first commercial Christmas presents, and today are responsible in part for the fall of that consumer capitalism into a society of controlled consumption, a term that he borrows from Henri Lefebvre. He convincingly shows that book publishing pioneered the rationalization and standardization of mass-production techniques in that the massive quantities of book production required efficient production processes and the move toward an hourly wage. Ultimately, The Late Age of Print investigates how books have become ubiquitous social artifacts entrenched with the everyday. His book successfully proves that book circulation is, and has always been, a political act because the circulation of books embody specific values, practices, interests, and worldviews (13). And as such, the practice of circulating books embody struggles over particular ways of life.

What does this mean for the late age of print (a term coined by Jay David Bolter to characterize the current dynamic era of book history instigated by media convergence where books remain central to shaping dominant and emergent ways of life)? Well, for some, like Sven Birkerts, author of Gutenberg Elegies, this is a crisis, a decline in the quantity (and the quality) of literature being read and it poses a real threat to culture in general.

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Tuesday, November 10, 2009

Don't Die Wondering


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Monday, November 09, 2009

Slavoj Žižek Speaks at Cooper Union




“First as Tragedy, Then As Farce”: Philosopher and Cultural Theorist Slavoj Žižek Speaks at Cooper Union
Dubbed by the National Review as “the most dangerous political philosopher in the West” and the New York Times as “the Elvis of cultural theory,” Slovenian philosopher and public intellectual Slavoj Žižek has written over fifty books on philosophy, psychoanalysis, theology, history and political theory.

In his latest book, First as Tragedy, Then as Farce, Žižek analyzes how the United States has moved from the tragedy of 9/11 to what he calls the farce of the financial meltdown.

He spoke on that same theme at Cooper Union during a recent trip to New York.

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Sunday, November 08, 2009

Ozymandias as Machinima (2000)




Praised by everyone from New York Times Arts columnist Matt Mirapaul, to film critic Roger Ebert, through to games journalists and literature professors, Strange Company's groundbreaking visual adaptation of the Shelley poem remains one of the most evocative pieces of Machinima.

Developed using an early version of Strange Company's Lithtech Film Producer software (a project which was later dropped, sadly), "Ozymandias" was created in just over a week for a demonstration show. However, the idea had been in director Hugh Hancock's mind for much longer.

"I've wanted to visualise to poem for years" says Hugh. "The imagery and the feel of the words is so strong that it really is crying out to be made into a film - and indeed, our adaptation stands as the latest of a number of films based on the poem."

Roger Ebert compared the film's minimalist construction to seminal Anime work "Grave of the Fireflies", and its attempt to capture the spirit of the poem was judged so successful that several literature courses used the film as part of their teaching program. Dell used the film as part of their demonstration at the Windows 2000 launch, and it appeared at several film festivals as part of Strange Company's Machinima showcase.

"As with all of these things, I had no idea that "Ozymandias" was going to be so successful when we were making it." says Hugh. "This was one of the most off-the-wall ideas I'd come up with, and its success has been very gratifying."

Download Ozymandias

OZYMANDIAS

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip, and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

by Percy Bysshe Shelley (1818)

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Dancing in the Streets


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